Tuesday 25 April 2023

Common Errors In Written English in Grade Twelve In India

 Lexical and Semantical Errors

 

One major common error detected is wrong word choice, and erroneous use of words in sentences which introduces confusion, leading to repetition of ideas and for that effect long, run-on sentences. In times when brevity and conciseness play an important role in written expression, students display a poor grasp of vocabulary and word choice. One of the possible reasons for this is that students are probably voicing their ideas in written form. The harsh fact is that there is a difference between verbal and written expression which needs to be addressed at an early formative stage of the child’s learning years. Having a good vocabulary can make a big difference not just in written expression, but also in verbal communication. The wrong use of a word can alter the meaning of the entire sentence drastically.  A person with a good knowledge of words has a good command of the language and this is an important social skill. Entrepreneurs, managers, content writers, and motivational speakers, all of them have a very good repertoire of words.

Please look at figure 1 and 5 in the index as examples.

 

Suggested Solutions

 

Encouraging students to read extensively will help them enhance their vocabulary and understanding of word usage. Having a well-stocked library, library periods, and documented reading sessions in the library can help a great deal. In fact, encouraging students to read extensively will help firm up their written expression in terms of Lexical Semantics as well as Syntactical skills. The library should have books based on Lexile scores and difficulty levels. Library periods should be allotted to students of all grades from eight to twelve.

 

Syntax Related Errors

 

It has also been noticed that students throughout grade levels have a poor grasp of the rules of grammar. Some of the glaring examples include subject-verb disagreement, clashing tense usage (where students mix the present tense with the past tense) the use of the indefinite form of ‘will’ in future tense constructions. Poor knowledge of sentence type, use of simple sentences, and inability to use coordinating and subordinating conjunctions leads to excessive repetition, run-on sentences and overall inability in conveying content within the specified word limits. Another common error noticed amongst a large number of students deals with the excessive use of the present participle form of verbs (the ing-form). One glaring common error in written English deals with the use of the active voice in formal/official communications like notices and notes of regret or acceptance of invitations. Students very often make errors in reporting speech. While quoting entire phrases is alright, it however cannot exclude paraphrasing. We have introduced research/thesis papers and term papers at some grade levels which is why having a strong grasp of rules for converting direct speech is an important skill that needs to be nurtured in our students. Surprisingly, another glaring common error noticed in our students is a lack of consistency in the use of correct punctuation marks and correct capitalization of proper nouns.

Please look at Figure 3 as an example of subject-verb disagreement, incorrect use of the present progressive form of a verb and avoidable use of the present participle.

 

Suggested Solutions

 

Students need to be taught formal rules of grammar from the early grades. Our workbooks should have exercises that offer students enough practice in the correct use of rules of grammar. These worksheets should have exercises dealing with tense forms, joining of clauses using conjunctions, demonstrative pronouns and adjectives, and relative pronouns will all help reduce confusion in expression and help reduce repetition of ideas.  Students need a lot of practice in converting active voice sentences into passive voice form and vice versa. We need to have a lot of exercises dealing with the conversion of direct speech into reported speech.

 

 

 

 

Issues Related to Neatness of work and Neatness of Handwriting

 

While it is true that we have started depending on smart devices like laptops and iPads for submissions of assignments and projects, the harsh fact is that students must write their answers in the two summative board exams of the CBSE so that they can be checked by an examiner. Unfortunately, if the examiner is not able to decipher what has been written in the answer sheet, then he or she will not award marks. Marks awarded for Literature short answers and long answers are further divided into content, grammar and expression. Handwriting impacts the total marks given for expression. Writing is an important skill that needs to be nurtured from the early years of a child. My experience in checking board papers and working as a head examiner shows that students who write neatly and legibly tend to score better marks than others who although they better understanding might not fare so well because of their untidy presentation and illegible handwriting.

Please check figure 2 in the index as an example of what I mean by poor handwriting. I took up this particular case with the parents at the beginning of grade 12 when we started physical classes. Fortunately, what you see is a major improvement.

 

 

Observations:

 

Higher-order writing skills can be taken up only after we address errors and inconsistencies in Lexical-Semantical and Syntactical expression. While the CBSE has moved from the teaching of formal grammar to the teaching of grammar through the communicative approach, it has been observed over a period of time that this has not translated into fluent written expression. We need to, therefore, resort to the teaching of formal rules of grammar and expression as a remedial process. These observations are based on corrections of the grade 12 Pre-Board II papers of English. There needs to be a vertical alignment of standards across all grade levels starting from grade four to grade twelve if we really want to address common errors in written English in our students. I have observed that quite a few students grasp their pens wrongly. A stiff wrist and wrongly held pen can affect not just the quality of the writing but also impacts the speed of writing. If we have written exams, it is very important that we focus on teaching children to write in a legible hand. The students whose samples have been given in the index were guided for two years and their errors have been constantly pointed out to them. While some of the errors might be blamed on the Covid-19 outbreak and the emergent lockdowns that forced students and teachers to resort to online teaching platforms, the entire blame cannot be laid on the circumstances. If students in grades eleven and twelve have moderate skills in written English, then we need to tackle this problem from the early classes. Some form of enrichment classes that cater to semantic and lexical skills could be introduced into the curriculum from the earliest classes in the Senior Program. Grades eight, nine and eleven are crucial classes where corrective measures can be taken up. Grades ten and twelve already have a lot on their plates so, I guess it would be a good idea to launch a pilot project in grade eight and nine, and then grade eleven. One meeting in a cycle of six days of fifty minutes should suffice.

 


Index


A few examples of commonly found errors are posted below. These include lexical errors, syntactical errors, and of course examples where the handwriting is indecipherable, or the work is so untidy that not much can be made out of what has been written by the student.




Figure 1- incorrect word choice and wrong use of 'will'

Figure 2This is an example of a handwriting that is not very readable.

                                                                                  

Figure A typical example of subject-verb disagreement.



                                                                                   

Figure A typical example where the proper use of a pronoun could have avoided repetition.




Figure A typical example of a semantic error, and an error of redundancy.



Sunday 16 April 2023

At the Church of the Epiphany WFCS Fete

Women members of the WFCS


The WFCS of the Church of the Epiphany, Civil Lines Gurgaon organized a post Easter fete today. It was organized to celebrate fellowship and as a fundraiser for the various outreach programs of the church and to collect blood for the blood donation camp organized by the Rotary Club. Perhaps the most noticeable thing about the fete was the presence of numerous food stalls. The youth stall offered cold drinks and ice cream. The WFCS set up a lucky dip stall and a handicrafts stall.

At the blood donation camp

It was an occasion when we were able to meet many long lost members and a time for connecting with each other. The fete saw a large number of members of the congregation bravely managing the bright sun, some with caps, others with goggles and the rest with scarfs.

Caught you!

A meal together

Counselling a prospective student?

For once I was in front of the lens!

A candid moment



Catching up

A prayer by Mrs. Joshua 

Mother and daughter 

A gift

Another gift

Yet another gift

Two brothers catch up for the shutter bug

Uncle and nephew

For the Allen Institute

At the WFCS stall

Peeping?

At the biryani stall

Enjoying the tasty food?

I love the hat!

The Titans meet!

Women's power!

The Iron man

A family effort

Looking for the leg-pieces

Long time no see!

Father and son

A family that eats together

Neera's Pizzas

The accountants

Check out the reflections


Of course the delectable food was amazing and all of it got consumed in no time. The Pizzas were great, the Biryani was tasty, the Kulfi was simply out of this world and the cookies were out of this world. 

Poories

Biryani

Punch Coffee anyone?

Cakes, anyone?




Tuesday 4 April 2023

Khushwant Singh's 'Train To Pakistan' exposes gender disparity between men and women during the forties

Khushwant Singh has portrayed women in his novel Train To Pakistan just the way they were at the time of the partition - the forties. They were treated as mere objects of ownership, mute, passive and docile. In keeping with the times depicted in the novel, they don't have much of an active role in the plot, and they exist as secondary characters. They defer to their men and as a whole lead quiet and subservient lives. Jokes are made at their cost.

Various symbols are associated with the women in the novel like antimony and glass bangles. The use of adornments is meant to deify womanhood, and bangles represent auspiciousness in marriage, however, the breaking of bangles and the smearing of antimony or kohl represents the despoiling of the sanctity of a woman. The tragic story of Sundari describes the smashing of her bangles as a symbol of the taking away of her sanctity. The story about Sundari is tragic enough and what happens to her describes the abysmal levels to which respect for women dropped during the partition. It is said that in times of war and civil conflict, it is the women and children who suffer the most. Women are either deified lionized in the novel, or else they are vilified and demeaned. Western women are "houris from paradise," while " All we have are black buffaloes," according to Juggat Singh.-P 113

However, it can not be said that the women in Khushwant are completely dormant. Ironically, they are more effective in a subtle sense, somehow changing the way their men behave, their outlook towards life or their worldview. The women in the novel have a lasting impact on the men they are associated with. Nooran, Juggat Singh's beloved, an object of desire, pure and innocent, a partner in crime during their nightly furtive excursions outside the village of Mano Majra has influenced Juggat Singh's actions and behaviour as a whole. She brings out the good in him. It is because of her that he leaves his bad company. In the end, it is for her that he sacrifices his life to cut the rope that had been strung at rooftop height. Juggat Singh is a hero because he wants Nooran to safely escape with their unborn child.

Even Haseena, the dancing girl has an important role to play in the novel. She is a paid companion for Hukum Chand, a plaything and yet she brings about a change in him. First and foremost she reminds him of his own daughter who 'would have been sixteen, seventeen, or eighteen if she had lived.' His initial impression of the dancing girl brings in disturbing thoughts to his mind. 'The thought that she was perhaps younger than his own daughter flashed across his mind.'-p30 Hukum Chand requires quite a few glasses of alcohol to get to gain the courage to continue his dalliance with the dancing girl. Haseena makes Hukum Chand feel 'uneasy' -p29 and he drinks more whiskey to dismiss his 'conscience'. It is only after many meetings that Hukum Chand realises that Haseena belongs to another religious community and that there is a possibility of her being killed by members of the dominant community. She revives his sense of duty towards saving the lives of the refugees fleeing the country. She revives his guilty conscience, and his ability to feel for others. When informed by the subinspector that the Chunndunnugger refugees will be travelling by the night train he realises that Haseena will be on it and that her life is in danger. He decides to free Juggat Singh and Iqbal from jail so that one of the two might help in "preventing the attack on the train". Though this is a rather selfish decision, to save Haseena's life, it does end up in saving the lives of many people on the train. 

Women, especially entertainers like the dancing girl, are meant to serve others. They are like objects that need to be sacrificed for the pleasure of men. Their own consent in the matter of service has no meaning in the patriarchal fabric of society.  Haseena's guardian, an old woman urges her ward to "Go to the Government",-p31 meaning Hukum Chand even as he shows her a currency note. Women like the dancing girl have been nurtured for the pleasure of men, men who have a lot of money to spend, or else men who have a powerful position in the Government like a magistrate. In the words of the older woman, "She is hardly sixteen and completely innocent. She has never been near a man before. I have reared her for your honour's pleasure.'-p31. 

Juggat  Singh's mother also has a rather strong presence in the initial pages of the novel. She has a stabilizing impact on the principal character, Juggat Singh. The ever-complaining and fussy mother remonstrates with her son when he tells her he needs to go to the '"fields" to check on the damage done by some pigs, she replies, " Have you forgotten already that you are on probation - that it is forbidden for you to leave the village after sunset?... They will send you back to jail."-p12 She is the only parent he has and she tries her level best to guide her son.

The novel Train to Pakistan describes a typical patriarchal society in which women are portrayed as objects of desire and it is only their physical attributes that are described. Living in an unequal society, women have been relegated to a position of trophies to be won and displayed with pride that others envy. In a conversation with Iqbal while in the lockup, Juggat Singh describes his sense of wonder about Iqbal's experiences with women abroad. He exclaims with wonder, "Wah, wah...you must have had lots of fun. The memsahibs are like hours from paradise-white and soft, like silk. All we have here are black buffaloes."-p113 However, Indian women too are treated either as goddesses or for that effect objects that have been discarded. One is either a goddess or else a discarded object like Sundari, who after being targetted by a mob is left metaphorically smashed like the 'auspicious' bangles she had worn as a bride. One of the five bandits who enter the village of Mano Majra to rob the money-lender, the spearman describes Nooran in the words, "Did you see that tight shirt showing off her breasts and the bells tinkling in her plaits and the swish-swish of silk? Hai" he goes on to describe her makeup when he says, "at night, she puts black antimony in her eyes" to which his companion replies, "Antimony is good for the eyes" and the other man replies, "It is good for other people's eyes too." - p7

The helplessness of women in a patriarchal society ruled by violence and lawlessness is brought out in the description of the two women who live in the moneylender's home, his mother and his wife. They are defenceless in the face of the attack by the five bandits who enter the courtyard in search of Lala Ramlal. Their cries for help go unheeded and 'not a villager stirred from his house.'-p10. After the shooting of Lala Ramlal and the firing of two shots in the air by the bandits, the 'Women stopped wailing.'-p11. It is clear that all the women in the novel, Train to Pakistan are caught in the crossfire of violence, and bloodshed, actions committed by men. Nooran and Haseena have to flee from what is probably their birthplace because of the violence taking place between members of two religious communities. Sundari loses the possibility of starting a family because of the depredations of a violent mob of men, a life of possibilities cut short in its prime.

References are taken from:

Singh, Khushwant. TRAIN TO PAKISTAN. Gurgaon: Penguin Ravi Dayal, 2009